Mirirai Moyo, an emerging Zimbabwean writer, was among the winners of the 2010 Golden Baobab Award, which features African stories for children. Moyo is not new to awards.
In 1996, she was the Harare Region Winner for the Randalls National Essay Competition.
Her short stories have featured in local newspapers and magazines such as (the now defunct) Parade as well as Drum Magazine’s fiction segment.
Her radio play, Belonging, was awarded Honourable Mention in the BBC African Performance in 2008 and published in Rory Kilalea’s collection In the Continuum and Other Plays (Weaver Press).
What is fascinating so far is how Moyo features animal characters in her stories to deal with the realistic issues that concern humans.
As the interview below, drawn from www.momentsinliterature.com, shows Moyo appreciates the power of the traditional story-telling tradition, but she puts a new twist to her story-telling to address contemporary issues affecting humans everywhere.
Below are excerpts from the interview with her.
Q: What does winning the Golden Baobab Prize mean to your career?
A: I want to believe that this will be the beginning of more (I’ve had a few already) beautiful things/ experiences for me as a writer such as, naturally, being read more. And the recognition I’ve been given encourages me to keep at it (telling my stories).
Q: Your bio shows that you are from Mberengwa. How has your home influenced your writing?
A: While I am from Mberengwa (was born there) I was raised a city girl, doing my growing up in the various areas in Harare. We moved to as a family. The moving between “homes” influences me more as a writer rather than having stayed in any one specific place.
Q: Who are your writing influences?
A: I find it extremely difficult to speak of influences because as an avid reader, titles and writers have flitted through my life depending on the phase (I’ve been in).
Q: I listened to the BBC recording of your play, Belonging, and I was moved. What influenced your decision to use animal characters in your writing?
A: Thank you for the compliment on Belonging. I’m glad you liked it. Animals just seem to make for more flexible story telling; they make for delightful metaphors, something our ancestors discovered way back in the Stone Age . . . Animal characters give me room to be adventurous in exploring issues of interest with a twist.
Q: What is your award-winning short story, Diki :The Little Earthworm about? What inspired it?
A: Diki: The Little Earthworm is a feel-good narrative, promoting self-acceptance and self–love. The story aspires to impart a lesson on the importance of self-belief. What better protagonist for this moral than an earthworm, one of the simplest but nonetheless essential of creatures in the universe?
Every child needs to learn from early on that it is okay to be different (in all the ways that we will be different) and that even when you are different, you are still special . . . and when others are different, they are special.
The idea is built on the premise that a child’s sense of self-worth determines his/her interactions within the community. A healthy sense of self-worth ultimately enhances sound and responsible personal and social habits. And every society needs well-grounded and open-minded leaders of tomorrow.
Q: What do you think of the state of Zimbabwean writing?
A: My greatest lament is that the Zimbabwe government could and should be doing a whole lot more to improve the state of writing in Zimbabwe. Too many stories are going unseen, unread, unheard.
The government seems to have a strong bias towards investing in sports. How many hundreds of thousands of US dollars did they throw at hosting Brazil on the eve of the World Cup again? My point exactly!